{"id":9691,"date":"2025-03-09T13:40:21","date_gmt":"2025-03-09T12:40:21","guid":{"rendered":"https:\/\/coupsdevents.com\/?p=9691"},"modified":"2025-03-09T13:40:59","modified_gmt":"2025-03-09T12:40:59","slug":"ioc-news2-heading-for-the-semi-finals","status":"publish","type":"post","link":"https:\/\/coupsdevents.com\/en\/ioc-news2-heading-for-the-semi-finals\/","title":{"rendered":"IOC NEWS#2 &#8211; Heading for the semi-finals!"},"content":{"rendered":"[vc_row][vc_column][vc_column_text]<strong>On Friday 30 August, our eminent jury* sat down to study the 160 applications received<\/strong> and their versions of the pre-selection work for IOC#2: Opus 26 n\u00b05 by Theodor Kirchner. It was a particularly arduous and delicate task, but one which they accomplished successfully: after a long working session, <strong>20 composers were selected to take part in the semi-finals in December.<\/strong><\/p>\n<p>To ensure anonymity, the composers were informed individually of their selection. The next step for them, before the final concerts in May, is to orchestrate a work of their choice from a selection put forward by the Coups de Vents team.<\/p>\n<ul>\n<li>Ballade N\u00b05 Opus 36 by Agathe Grondhal<\/li>\n<li>Pr\u00e9lude 21 (extract from 24 Pr\u00e9ludes Opus 37) by Ferruccio Busoni<\/li>\n<li>Le ballet des revenants op 5 N\u00b0 4 by Clara Wieck-Schumann<\/li>\n<li>Pr\u00e9lude (from Pr\u00e9lude, Choral et Fugue) Op 37 by \u00c9mile Gou\u00e9<\/li>\n<li>Vers la vie nouvelle, by Nadia Boulanger<\/li>\n<li>Prelude No 12 (solo) from 12 Preludes Opus 36 by Louis Vierne<\/li>\n<\/ul>\n<h2>CIO#2: the next steps<\/h2>\n<ul>\n<li>Deadline for candidates selected in the semi-finals to submit their work of choice: 3 December 2024<\/li>\n<li>Meeting of the jury for the \u00bd final, judging at the table: December 2024<\/li>\n<li>Announcement of the results of the \u00bd final: 6 January 2025<\/li>\n<li>Dispatch of the orchestral material (separate parts) by the candidates selected for the final: no later than 13 January 2025<\/li>\n<li>Final concerts in the Bassin Minier: 30, 31 May and 1 June 2025<\/li>\n<\/ul>\n<p>__________<\/p>\n<p>*Once again, a huge thank you to our pre-selection jury for their commitment, availability and sound judgement:<\/p>\n<ul>\n<li>Maxine Aulio<\/li>\n<li>Philippe Ferro<\/li>\n<li>Anthony Girard<\/li>\n<li>Pascale Jeandroz<\/li>\n<li>Marc Lys<\/li>\n<\/ul>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text]On Friday 30 August, our eminent jury* sat down to study the 160 applications received and their versions of the pre-selection work for IOC#2: Opus 26 n\u00b05 by Theodor Kirchner. It was a particularly arduous and delicate task, but one&hellip;<\/p>\n","protected":false},"author":1,"featured_media":9537,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false},"categories":[87],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>IOC NEWS#2 - Heading for the semi-finals! - Coups de Vents<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/coupsdevents.com\/en\/ioc-news2-heading-for-the-semi-finals\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"IOC NEWS#2 - Heading for the semi-finals! - Coups de Vents\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_column_text]On Friday 30 August, our eminent jury* sat down to study the 160 applications received and their versions of the pre-selection work for IOC#2: Opus 26 n\u00b05 by Theodor Kirchner. 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